Orpheus in the Underworld

Orpheus in the Underworld

Orpheus in the Underworld

Orpheus in the Underworld

Orpheus in the Underworld

Orpheus in the Underworld

Orphée aux enfers:
an operetta in two acts
Composer :
Jacques Offenbach
Libretto:
Ludovic Halévy, Hector Crémieux
Polish version:
Stanisław Dygat, Janusz Minkiewicz, Maria Sartova
World premiere:
21 October 1858, at Les Bouffes Parisiens, in Paris.
Premiere:
17 May 2024, at Opera at the Castle of Szczecin
Guest performance at the 32nd Bydgoszcz Opera Festival:
8 May 2026 at Opera Nova.
Performances are presented using materials from:
the publisher Music ed. Partitura – Muziekuitgeverij Partitura (Amsterdam)
Duration:
app. 2 hours and 30 minutes (with one intermission)
ATTENTION:
This performance contains strobe lighting effects.

creative team

Director:
Jerzy Jan Połoński
Musical direction:
Jerzy Wołosiuk
Choreography:
Set design:
Wojciech Stefaniak
Costumes:
Anna Chadaj
Multimedia projections:
Karolina Jacewicz
Lighting direction:
Katarzyna Łuszczyk
Choir preparation:
Małgorzata Bornowska
Musical collaboration:
Ewelina Rożek-Jaworska
Assistant director:
Julita Jabłonowska
Soloists’ coaches:
Olha Bila, Michał Landowski
Performance by:
the Orchestra, Soloists, Choir, and Ballet of the Opera at the Castle in Szczecin
Conductor:
Stage managers:
Dariusz Hibler, Maria Malinowska-Przybyłowicz

cast

Orphée:
Łukasz Ratajczak
Eurydice:
Aleksandra Bałachowska-Jagusz
Aristée / Pluto:
Aleksander Kruczek
Jupiter :
Tomasz Łuczak
L'Opinion publique (Public Opinion):
Małgorzata Zgorzelska
Diane:
Agnieszka Nurzyńska
Cupidon:
Julita Jabłonowska
John Styx:
Paweł Wolski
Vénus:
Katarzyna Nowosad
Minerve:
Lucyna Boguszewska
Mars:
Janusz Lewandowski
Mercure:
Bartosz Gorzkowski
Junon:
Sandra Klara Januszewska
Hebe:
Maria Krahel
Camera operators:
Vasyl Kropyvnyi, Bartosz Madej
Set crew:
Andrzej Kieć, Piotr Nowak, So Hadano

about

One of the most famous operettas of all time returns - and it does so with flair, irony, and devilishly good fun. Orpheus in the Underworld by Jacques Offenbach has long been synonymous with musical brilliance and theatrical subversion. This iconic title, featuring the legendary “infernal galop,” better known as the can-can, has captivated audiences around the world. Now it will be heard and seen at the 32nd Bydgoszcz Opera Festival in a completely new and surprising interpretation by the Opera at the Castle in Szczecin.

The mythical lovers are bored with one another, each searching for a way to escape the shackles of marriage. Unexpected help arrives in the form of Pluto, god of the underworld, who abducts Eurydice. Orpheus - reluctantly - sets off after his wife into the depths of Hades… This becomes the starting point for great fun and a cascade of comic misadventures.

Orfeusz w piekle J. Offenbacha, czyli operetkowy hit w wersji szczecińskiej Opery na Zamku Fot. Dawid Stube

The Szczecin production shifts the action from ancient settings into the world of contemporary media. Olympus becomes the set of a major television show, Earth turns into a docu-soap series, and Hell - a low-budget horror populated by exaggerated pop-culture characters. Actors, celebrities, influencers, and content creators form a colourful, over-the-top panorama of contemporary culture, providing the perfect backdrop for a story about double standards, hypocrisy, and the abuse of power.

The audience becomes a witness to a “live vision,” watching on a large screen how a performance full of irony, energy, and humour is created inside a theatrical film studio.

This version of Orpheus in the Underworld is a production that blends the lightness of operetta with wit and sharp satire, presented in a fresh, contemporary form.

Poster by: Wojciech Stefaniak

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