La Compagnie Käfig led by Mourad Merzouki, excited the festival audience last year by combining hip-hop dance with baroque music. The French artists will once again surprise us at the XXXI BOF with two original performances! “Phénix” will hypnotize you with its harmony of contradictions, while “Vertikal” will captivate you with suspended dance!
Phénix
Photo by: ©Julie Cherki
The performance Phénix was born from the unexpected encounter of hip-hop dance, baroque music and electronic sounds. On stage, four dancers engage in a dialogue with a soloist playing viola da gamba — a string instrument that was the baroque precursor to the cello. The uniqueness of this combination is further accentuated by electro sounds inspired by the music of J. S. Bach. Merging seemingly contradictory worlds, such as the baroque and hip-hop, has been Mourad Merzouki’s creative aspiration since his collaboration with Le Concert de l’Hostel Dieu on the Dolce Folia/Folia project, which was enthusiastically welcomed by the XXX BOF audience. This year, Mourad Merzouki and his group La Compagnie Käfig return to our Festival to (once again!) introduce our audience to the unexpected dimensions of dance and music.
Vertikal
Photo by: ©Laurent Philippe
Vertikal is a performance of suspended dance — magical, dazzling, and effortlessly light. It is a dance that reveals the sky - critics have described the performance as a breathtaking fusion of dance, aerial acrobatics, and gravity-defying movement.
Mourad Merzouki plays with weightlessness by boldly challenging his dancers, exploring the aerial space by fusing hip-hop with vertical dance. The traditional connection with the floor, fundamental to hip-hop dance, undergoes a radical transformation. Everything seems possible: ascents and descents, the quest for lightness, and a playful interaction with gravity. In a poetic gesture, the choreographer cements his approach to breaking down barriers between different forms of art.
About Mourad Merzouki
Mourad Merzouki is a key figure in hip-hop dance, having made a significant contribution to bringing street dance to the most prestigious stages. A visionary and self-taught artist, his works — combining various forms of dance with acrobatics and other disciplines — allow him to share his vision and open-mindedness. In 1996, he founded La Compagnie Käfig. From 2009 to 2022, he served as the director of the Centre chorégraphique National de Créteil et du Val-de-Marne.
Brak spektakli w najbliższej przyszłości
Two female and two male dancers engage in an extraordinary dialogue with a soloist playing the viola da gamba, creating the performance “Phénix”, in which we witness an unexpected encounter between hip-hop dance and the sound of an ancient instrument. The uniqueness of this combination is further highlighted by occasional electro sounds, inspired by the music of J. S. Bach.
"The immortal story of Carmen, reinterpreted," "told in a dark and deeply emotional way," "a performance unlike any other" — these are just some of the reactions found in the first reports and reviews following the ballet premiere of Carmen choreographed by Johan Inger. The ballet and the Orchestra of Opera Nova, together with the production team, received a standing ovation. And this is only the beginning of the 31st Bydgoszcz Opera Festival, whose program promises many exceptional artistic exp...
Zgodnie z zapowiedziami organizatorów - stało się! Konkurs Wokalny im. Bogdana Paprockiego jesienią w Operze Nova będzie mieć miejsce kolejny już raz, ale po raz pierwszy w edycji międzynarodowej. Śpiewaczki i śpiewacy (do 34. r.ż.) niemal wszystkich narodowości mogą już zgłaszać swój udział w prestiżowym Konkursie - nabór trwa do 11 października br.
- I am sure that “Carmen” will be a success in Bydgoszcz, in Poland! – says Maria Luisa Ramos Corrales, coordinating the preparations of the costumes for the ballet performance by Johan Inger. The premiere of “Carmen" on April 26 will inaugurate the XXXI Bydgoszcz Opera Festival!